Too bad I didn’t heed my own guidance.
If you’re a painter who wants a seriously high gloss but doesn’t want to breathe in the toxic fumes of a traditional two-part epoxy resin, then I’ve got to turn you on to the product that is changing my life: ArtResin.
And, I’m increasingly drawn to highlighting imperfection and flaws. In my sadness over the last few months, I’ve stumbled into Kintsugi, the Japanese philosophy of repairing cracks in pottery with gold. Continue reading “Spires”
Some paintings just jump out of my fingers as if I’m simply the channel through which they’re born. Others take true labor, enormous consideration, and months of adjustment until they are done. Witness I Felt Like the One on the Left. Continue reading “I Felt Like the One on the Left”