Overwhelmed: for days, it was the only word I could utter to describe the events of the week. Three cities, seven murders, more injured. If you did not drop to your knees in pain, I don’t see how you could have been paying attention.
If you’re a painter who wants a seriously high gloss but doesn’t want to breathe in the toxic fumes of a traditional two-part epoxy resin, then I’ve got to turn you on to the product that is changing my life: ArtResin.
And, I’m increasingly drawn to highlighting imperfection and flaws. In my sadness over the last few months, I’ve stumbled into Kintsugi, the Japanese philosophy of repairing cracks in pottery with gold. Continue reading “Spires”
Thought I’d share three smaller acrylic works, each 6″ x 12″. All painted with palette knives, then stamped with circles, then highly glossed. I tend to keep at least one smaller canvas going whenever I’m working on a larger one–something to work on while waiting for paint to dry. 🙂 Continue reading “Circles”
Some paintings just jump out of my fingers as if I’m simply the channel through which they’re born. Others take true labor, enormous consideration, and months of adjustment until they are done. Witness I Felt Like the One on the Left. Continue reading “I Felt Like the One on the Left”
I just finished this painting, Surface Tension. It’s watercolor and acrylic, 36″ x 24″.
You know how you can fill a glass to the brim and even add just a little bit more so the water seems to rise above that rim? And then just one drop too much brings on the spill? Continue reading “Surface Tension”